Skip to main content

Kafka Scares Me

On Wednesday night, I made the mistake of reading the Metamorphosis right before going to sleep -- bad idea. I had some real crazy dreams involving public embarrassment, shifting realities and extremely large purple tigers. I woke with a distinct sense of displacement, as if the dream had never really ended. I think my strange dreams were a direct result of reading Kafka. 

So why does reading Kafka evoke such a strange mess of emotional responses, both conscious and unconscious? In the Metamorphosis, Kafka is playing on humans' deepest fears. Humans typically want to be understood, loved, and comfortable within themselves. Gregor's transformation renders him utterly incapable of normal human communication, unlovable even to his closest family members, and disgusted by his own insect-like form. 

While this kind of transformation is (hopefully) not an experience that many readers have suffered, we can instantly relate to Gregor's struggles because we've all experienced feelings of displacement and loneliness at some point in time. When reading about Gregor's extreme emotional discomfort, readers can recall the instances when we felt the same way, though to a decidedly lesser extent. By seeing those painful emotions magnified in the form of a gigantic cockroach-beetle-bug, readers are forced to confront their profound insecurities and fears.

When I revisited my weird dreams, I noticed a clear theme of alienation and emotional distance that is also reflected in Kafka's works. I find it remarkable that Kafka can so clearly capture humans' most confusing and uncomfortable emotions in his writing. While Kafkaesque reflections aren't pleasant, I think it can often be healthy to contemplate our definitively unpleasant emotions in order to better understand why they have such power over us. Like both Woolf and Hemingway, Kafka encourages readers to think more deeply about our life experiences. I believe that such introspection and self-reflection is why literature is so compelling and important to us as human beings. 

Comments

  1. I definitely think that Gregor's predicament is very related to his isolation. I was thinking about this in class the other day, because humans are very social creatures and as you point out, companionship is very important to someone. I think this underlying fear of isolation and being alone is definitely something that many if not all readers can relate to and therefore could very well be a reason that we all find Kafka's writing so disturbing. I would say that Kafka is definitely playing a mind game with us, having us feel this way, we feel sympathy for Gregor, despite the fact that most of us would recoil or have a similar reaction as his family does if we were to encounter him in real life.

    ReplyDelete
  2. I think what you're saying makes a lot of sense, even if I don't like it. Kafka makes us uncomfortable because he does capture those unpleasant and confusing emotions we all have and makes us confront them. We can't avoid them when reading Kafka because it's just impossible. There's certainly a lot to unpack with Kafka's uncomfortable emotions, like why they have power over us like you said or why they make us so uncomfortable or have a slight stigma. But I'm not sure if I like that. I don't really want to confront these kind of things. Yes, introspection is good for us as human beings, but do I have the time for that? More importantly, do I have enough time to deal with the emotional baggage that comes along with it? No, not really. So for now, I'll just enjoy a story about a guy that turns into an insect and not apply it to myself.

    ReplyDelete
  3. Kafka scares me too, but like you said self reflection is important! In addition to the isolation you talked about there is also the surreal aspect/Kafkaesqueness. The fact that some parts of this book seem so ludicrous makes us reevaluate many of the emotions. For example the odd reactions to gregor's transformation make us look again and see the isolation, family dynamics, anger of the dad... which wouldn't be as apparent if he woke up screaming.

    ReplyDelete
  4. The story of The Metamorphosis is really creepy and too was freaked out while reading parts of the novel. Kafka's writing is so utterly bizarre that reading it closely gives me an uneasy feeling. It seems like the more you think about his writing the scarier it becomes. At first glance it is a fairly simple story, but even a little bit of thought about any of the details show how completely alien and nightmarish it is.

    ReplyDelete
  5. You’re right, this book is weird. It’s interesting to think how we can all relate to something even though it has never personally happened to us. It’s sad to think that we all have a fear of not being loved.

    ReplyDelete

Post a Comment

Popular posts from this blog

Two kinds of poets

Being thirteen is pretty rough, but that's especially true for Jason Taylor. His low social standing and embarrassing stammer make him incredibly self-conscious and uncomfortable in any interactions with other kids. But Jason also has a secret: he's a poet. Poetry is an outlet for all of Jason's inner thoughts that he can't communicate with others. Jason's stammer makes it difficult for him to say what he means in front of other people because he's constantly scanning his sentences for trouble words and rewriting his speech to seem normal. Poetry is the only place where Jason can confidently say the things he can't in everyday life. It's interesting to compare Jason with Stephen Dedalus from A Portrait of the Artist as a Young Man. They're both young men struggling to find their place in the world, and they're both talented poets, but their attitudes toward the rest of the world are completely different. Stephen thinks that his artistic tal...

Butler's postmodernism

Octavia Butler's Kindred might not appear as startlingly postmodernist as other novels we've read ( Mumbo Jumbo, for example) but her writing presents a powerful challenge to the kind of unilateral, hegemonic narrative that postmodern texts sought to deconstruct.  The story unfolds on a Maryland plantation decades before emancipation, grounding Dana's experience in a time when slavery would have felt virtually inescapeable. Dana realizes that the rift between her time and Rufus' time is more than temporal or spatial, but the two environments she's pulled between demonstrate completely different assumptions about humanity. She and Kevin first seek to understand their new environment through their history books from back home, which provide essential information about past laws and regulations. However, the knowledge found in history books can't capture the real experience of living as a slave on Weylin's plantation. Recounting facts about such a brutal era...

it's-almost-summer apathy strikes again

Reading a book about summer while we’re all stuck in school is almost cruel. Here we are, staggering through the last weeks of an insane year, and Benji is off in Sag with tons of time on his hands. This post was supposed to be about Benji’s summer goals, but I’m just going to write about the it’s-almost-summer apathy that comes around this time of year because that’s on my mind. The last weeks of school are both terrible and wonderful. Everyone is burnt out and exhausted from long months of the educational grind, so all our motivation has been replaced by apathy. Each day it’s more difficult to find the will to go to class or finish assignments, but the constant threat of finals keeps us halfway stuck on the academic hamster wheel. Instead of dutifully keeping up with our responsibilities, Uni students use May for a variety of spontaneous activities. Personally, I’ve discovered the wonderful sense of freedom that comes from skipping physics.   I’ve also been spending mor...